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Hallelu et Adonai and Min Hameitzar [Allelu ed Adonaj e Min Amezzar] - Settimio Battaglia, full voice score
This score is incomplete, missing Min Hameitzar onwards, but the part scores for this item do include it.
Yehallelu [Jeallelu] - S. Di Veroli, first bass score
Bass part of Yehallelu, with additional solo line at opening.
Yehallelu [Jeallelu] - S. Di Veroli, first bass score
Bass part of Yehallelu, with additional solo line at opening.
Mizmor Ledavid [Mismor ledavid] - Amadio Di Segni, full-voice score with organ
This item is incomplete.
Hallelujah [Alleluja] - Tommaso Montefiore, contralto score
There are 2 other editions of this part score with identical textual and musical content, but are still distinct manuscripts.
Betzet Yisrael for 2 voices [Bezet Israel a due voci] - tenor part score
Individual score for the tenor line of Betzet Yisrael
Betzet Yisrael for 2 voices [Bezet Israel a due voci] - Rome, scuola Catalana, full voice score
This manuscript is incomplete, as the individual part scores go further into the text and melody than is transcribed here.
Hallel - anonymous, Rome, soprano score
A setting of Psalm 117 followed by Psalm 118. Composer is currently unknown.
Yigdal [Igdal] - Settimio Scazzocchio, bass (4/4)
One of four scores of the isolated bass part for Scazzocchio's Igdal. The other 3 scores are all identical in musical content, despite being different manuscripts.
Yigdal [Igdal] - Settimio Scazzocchio, bass (2/4)
Isolated bass score. There are 3 other distinct manuscripts of the same exact part.
Yigdal [Igdal] - Settimio Scazzocchio, bass score (1/4)
Isolated bass part. There are 3 other distinct manuscripts of this same exact part.
Ashrei Ish Yare' [Asré isc jaré] - Amadio Di Segni, tenor in bass clef
Tenor line ofAsré isc jaré written out in the bass clef.
Ashre' Ish Yare [Asré isc jaré] - Amadio Di Segni, alternate soprano score
A clearer copy of the soprano part score.
Ashre' Ish Yare [Asré isc jaré] - Amadio Di Segni, soprano score
Isolated soprano part ofAsré isc jaré.
Livorno
The growth of Livorno as a mercantile hub from the XVI century onwards transformed it an important cultural centre. Gradually, Livorno became the capital of the Italian Sephardic world, picking up the sceptre from Venice. Livorno's role as crossroads…
Ferrara Scuola Italiana
"Scuola Italiana" occupies the uppermost floor in the ancient synagogue building in via Mazzini in Ferrara.From the Ghetto period until 1915, the three rituals were regularly officiated in their respective scuole in Ferrara: rito Italiano, rito…
Firenze Tempio Maggiore
the "Tempio Maggiore Israelitico" was constructed in the second half of the XIX century and was inaugurated in 1882. It follows the minhag of the Florence Spagnolo congregation, originating in Livorno and in use in Florence since the XVII century.…
